2008-02-03

Super Bowl XLII

I know a lot of people say this, but when I say I only watch the Super Bowl for the ads, I really mean it. I won't get into why this throw-the-oval-thing-stop-throw-the-oval-thing-stop-take-an-ad-break-every-two-minutes shit doesn't deserve to be called football. The only football I recognise is the sport that EVERYBODY ELSE IN THE WORLD except Americans refer to as football, you know, the one that actually involves a real ball and actual feet. However, that being said, the last quarter of this year's Super Bowl was undeniably legendary, the kinda stuff that only happens in sports movies. Hate to admit it, but I actually became an NFL fan for fifteen minutes. The seemingly-invincible Patriots after leading throughout most of the low-scoring game, picked up 4 quick points to extend their lead over the giants 14-10 and seemed poised for victory with only minutes to go, but then learned at the worst possible moment that it's only a perfect season if you win the last game, and the Manning Bros. now have a matching set of finger jewellery. You couldn't script this stuff.

Before the final six minutes, the highlight of the game for me had been the lovely Jordin Sparks, daughter of former NY Giant Phillipi Sparks and the youngest winner of American Idol to date, KILLING her performance of the Star-Spangled Banner; by the time she was done I think even she knew she 'killt dat ish'.



Sweet 'n' thick like Betty Condensed Milk. For my money, her version was right up there with Whitney Houston's spine-tingling rendition at the '91 Super Bowl during Operation Desert Storm, in vocal delivery if not emotional connect. Great job... and just in time too, because the song she has out right now, Tattoo, although age-appropriate for her in terms of saccharine sappiness, is not what she needed to build buzz. To avoid slipping below the horizon, she needs to remind people that she really can sing, and this performance did just that. With a more sophisticated songwriter and the right songs to showcase her range, there's no reason she can't meet or exceed the high standards set by former Idol Kelly Clarkson, given time. From all accounts Alicia Keys definitely did her thing as well earlier in the pre-game show, but I didn't get to see her performance... I'll have to check it out online later before it inevitably gets pulled from YouTube for copyright infringement.

Now for the main event, as far as I'm concerned: the commercials. This year's crop was better (and weirder) than what we've seen in recent years, with a definite emphasis on surrealistic comedy. Madison Avenue must be currently inundated by a cloud of ganja smoke to turn out some of the definitely "weeded" ads that premiered during this year's game. Check them out for yourself at MySpace's Super Bowl Ads page. Below I've listed my ten favourite spots this year, in ascending order:

10. Coca-Cola - To tell the truth, I just liked seeing Stewie get his come-uppance at the hands of Charlie Brown... finally something goes right for Schulz' lovable peanut-headed loser.

9. Vitamin Water - Shaq as an enormous jockey, I defy you to tell me what's not funny about that.

8. Budweiser - Clydesdale rejected from the wagon team does '80s-style training montage to get ready for next year, with Dalmatian playing Mickey to his Rocky, at the end give each other a high-five (high-hoof? high-paw?)

7. Etrade.com - Funny talking baby = comedy gold.

6. Cars.com - "You should definitely step outside the circle.... yeah... just to avoid any confusion...." Hilarious.

5. Tide To Go - incredibly stupid ad, should really be annoying but is funny as hell

4. Bud Light - Apparently drinking Bud Light gives you superpowers, like breathing fire and flying.

3. Toss-up between Bridgestone and FedEx - screaming squirrels vs. giant carrier pigeons, you make the call.

2. Sobe Lifewater - This ad should really be number 1, just based on the sheer WTF factor alone. Lizards doing the zombie dance routine from Thriller while Naomi Campbell does her best Beyonce moves. I get the feeling that this will come out as the fan-pick of the night, but my vote goes to:

1. Diet Pepsi Max - Not gonna spoil it for you if you haven't seen it, but it's funny funny stuff.

There were also a couple great trailers for Wanted, which looks like a slick spy movie starring Angelina Jolie and Morgan Freeman; Prince Caspian, the second chapter in The Chronicles of Narnia; and Will Ferrell's latest fratboy farce, Semi-Pro. Iron Man looks pretty good too, but I'm more of a DC fan.

The losers of the night: Carlos Mencia doing his usual racist spiel. Mencia is not funny. Other observations: Justin Timberlake is a tool.

Click here to see Danica Patrick's beaver.

2008-02-01

Blue Thursday

So Thursday morning, as usual, my bedside clock radio woke me to Alan Magnus on RJR doing the same routine he's been doing every morning since I was in prep school: news at 6:00, short sports report, weather update at 6:12, then a few contemporary chart hits up until the horoscope at 6:30. Like I said, routine, but very comforting to know that some things never change. I hit the Snooze button and dove back under the covers to squeeze out another 9 minutes of sleep before I had to get up to face the day. Eighteen minutes later (yes, I did hit the Snooze button a second time) I finally found the energy to wake up when the opening electric guitar riff of Rihanna's Shut Up And Drive came on and blasted me out of bed:



There's definitely something to be said about putting dance club music on before the sun is even up. Almost as good as a hot cup of Blue Mountain caffeine to get the blood pumping.

So anyways, while loading my iPod for the day, for some reason I suddenly got this overpowering urge to listen to an obscure alternative track that kept playing at the edge of my consciousness all morning. No problem, lemme just do a quick scroll thru my music library and find it... except I had no idea what the song was, who did it, the words to the song, where I'd first heard it, nothing except a chord progression that kept repeating in my head, a faint memory of chanted lyrics, and one single question being asked over and over. The question was the key; if I could only remember what it was, everything else would come to me.... but the question kept dancing maddeningly on the tip of my tongue and slipping away right when I almost had it. It eventually did come to me later that morning, after some hard mental concentration and using every mnemonic device I knew, and when it finally came to the surface it was appropriate in so many ways. "Where is my mind?" Four short words with worlds of meaning. After that, the rest began to fall in place... I quickly jumped on Google and did a search for that phrase, and came up with the name of the band and where I'd heard that song before... Pixies, from the Fight Club soundtrack, yes, that was it, the final scene, right after Edward Norton's character (who was never named, interestingly) has just killed Tyler Durden by blowing his own medulla oblongata out, and he and Marla stand in an empty office building watching the international headquarters of several major credit card companies implode in one single glorious act of econo-terrorism. Project Mayhem: reset the credit rating of every single person on Earth back to zero by wiping the international financial slate clean. No more rich and poor. No more haves and have-nots, upper- and lower-class, white collar blue collar. No more First and Third World. Reset button at the trigger of a detonator. Then Where Is My Mind? starts playing and the end credits roll. Fight Club is one of the greatest movies ever made.



So now that I finally had the name of the elusive track, I opened up Shareaza to download the song right away... but from the opening "wooo-hoooo" I realised that the original Pixies version, although brilliant, wasn't the one that had been itching my brain all morning. So what was the song that had now become an earworm in my mind? This was starting to drive me crazy. A quick check with Wikipedia revealed that Where Is My Mind (which, incidentally, Pixies lead singer Frank Black was inspired to write as a college student while on a scuba dive in the Caribbean) is one of those excellent songs that have been covered, remade, refixed, mashed-up etc. by about a zillion bands and artists since it was first recorded. It's cited as one of the pivotal tracks in the evolution of modern alternative rock, and listening to it I can certainly agree... one can sense right away the influence Pixies would have on later grunge and alternative bands of the 90s like Pearl Jam, Soundgarden, Stone Temple Pilots, Radiohead, and of course Nirvana... one can literally picture a teenage Kurt Cobain somewhere in a Seattle garage bobbing his head to this one right before an after-school impromptu jam session. No wonder there have been no less than seven Pixies tribute albums. I came across about a dozen different versions of Where Is My Mind, my favourite three of which I've listed below:







But this was getting me no closer to the specific version of the song that had tunneled into my skull by this time.... and what did Rihanna have to do with any of it? All I could think of were six infectious chords that sounded like a synth version of Orgy's cover of New Order's Blue Monday...





...and there, at last, was the answer. Shut Up And Drive, the tune that had jolted me out of bed, samples Blue Monday right from the electric opening riff. The chords I was thinking of were the actual chords from the same song. So I was basically looking for a remake of Pixies' Where Is My Mind? over a slowed-down, synthed up version of New Order's Blue Monday, with hip-hop/dancehall/techno lyrics.... but where the hell had I ever heard such a song? On a hunch, I went to my trusty old Google toolbar, input "where is my mind" and "blue monday" (in quotes so I would get an exact match)... and good old Google gave me the answer right away. It was M.I.A. - 20 Dollar, off her Kala album, one of the five best releases of 2007 in ANY genre. I had listened to the album straight through at least nineteen times before but the connection hadn't clicked until that very moment.



Brilliant on so many levels: a song about brutal poverty-driven violence and genocide in Africa facilitated by First World apathy, penned by the Sri-Lankan teenage daughter of one of the founders of the Tamil Tigers (considered a terrorist organisation by US and UK intelligence), who has Education for Darfur as her number 1 friend on MySpace, is rumoured to be on a C.I.A. watch list, and was recently denied entry to perform in the US. In other words, militant hardcore rebel music..... disguised as Rihanna-esque danceable pop. God, this girl is genius. Needless to say, I had Kala (and her 2005 album Arular) on repeat all day Thursday.




OK, now it's Six Degrees of Separation time. They both sampled Blue Monday for dance-pop releases in roughly the same period last year. Apart from being on my list of Top 12 women in the world I'd most want to wake up next to, what else do Rihanna and M.I.A. have in common? Answer: They've also both done collabos with Vybz Kartel. And as I finish up this entry, I've just watched Fight Club on cable for the twentieth time, and the original Pixies version of Where Is My Mind? is playing right at this very moment. I am Jack's complete circle.